Maux des Mots, 2009 Photographies Numeriques Avec le soutien du collectif noir sur blanc : Gertrude II (Lyon), Chrysalide (Alger) et les Aftis (Jijel). Diptyque photographique, impression directe encre UV sur dibond, 70 x 120 cm (chaque). Collection MAC/VAL, musée d’art contemporain du Val-de-Marne The photography displays a violent contrast between the body and the words written on a woman`s back and it creates an analogy between body and nature.It tries to leave an essential place to words, to writing, to the voice that takes the form of a quest. Texts that give the viewer a kind of transmission. Words that echo pain, doubts, the anonimity of the one that communicates them.
Read OnRencontre Improbable,2009 Impressions sur dibonds Cette installation photographique à l’échelle a pour but de signifier un dialogue par les jeux de regard , dépassera les limites des langues et des cultures tout en rendant compte d’une identité collective.Ces photographies ouvrent un espace fictif ou les sujets deviennent des personnages et font corps avec l’architecture comme une suite de tableaux scéniques . ‘The only Possible History is Contemporary History’, said the painter Gustave Courbet, theorist of realism in art.This installation intends to imagines the City as a scenography of improbable meetings. A poetic photographic composition that takes into account the population, diversified by the immigration movements of the 20th century. The images would pay homage to the changing environment.I will present them as actors of our times but also as reflections of our society. The limit between reality and the imaginary is then left to the interpretation of the viewer. These photographs will open a fictional space where subjects will become characters and will become one with the architecture, as a series of scenic paintings. For humans, the eyes are the first thing that attracts. We involuntarily watch first the eyes of the characters. The visual way will lead the eye […]
Read OnBoiteamusique09 par boughriet ‘La boîte à musique’ 2009 5’, Couleur, Son The intention of this piece is to confront two worlds : that of plenty, of the idyllic that is represented by this dancer face to that of a more realistic universe where children have no more dreams. There is a gap between the feeric image and certain situations of social misery, as that of children that are victims of wars. These situations are emitted by a soundtrack.The ballerina turns around relentlessly; the blue light suggests the glass ball and the blue colour is a reference to Degas` paintings. The dancer keeps completely vertical as a sort of aerial dance. She expresses balance, refinement, simetry of movements in a kind of mechanical dance.
Read OnMurmures, 2009 22’, Couleur ,Son, VO Il existe une interaction sentimentale entre l’image de la ville et le comportement humain. De la rencontre passionnée, sentimentale, entre une ville et un regard, surgit un modèle mental du milieu réel qui intègre l’homme à son passé, à son présent et à son avenir.Dans cette vidéo ,une serie de citadins se racontent et évoqueront leurs pensées, dos à la caméra et face à un mur publicitaire situé dans les villes. Les personnages resteront dans l’anonymat. There is a sentimental interaction between the image of the city and human behavior. A mental pattern results from this passionate and romantic encounter, between a city and a glance. This mental pattern of real environment links mankind to his past, present and future. This video shows a couple of city inhabitants who speak out and share their thoughts, while facing a wall full of advertising, as can be seen in many cities. The inhabitants remain unnamed.
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Pearl, 2009 1’, N&B, son Dans cette vidéo, l’acte se fait autour de la perle, l’artiste essaie de rendre par sa bouche, des billes blanches, qui n’ont d’autres significations, que l’éclatement et la dispersion. Aphrodite`s tears in the Antiquity, mistery of the oceans, the pearl revealsitself and grows by a kind of defens mechanism towards the intrusion of an unknown object. In this video the act develops around the pearl, the artist takes out trhough her mouth white beads that have no other significance than explosion and dispersion.
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Dream city, 2008 ( Bosnie, Sarajevo) Dimensions variable. La composition photographique est justifiée par les différents points de vue pris et par l’absence d’humanité, une réelle volonté de mettre en valeur la symbolique de ces espaces accordés au monde des enfants surtout dans le contexte politique et social.
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Errance,2007 ( Sarajevo, Bosnie) Photographies argentiques 60×80 cm Galerie Michel Journiac, Centre Saint-Charles. Les propositions artistiques mises en lumière par l’exposition « Revers du Réel » s’élaborent comme des éléments révélateurs de nos tendances aveugles en décidant d’explorer les confins de la perception
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